[52] Maria San Filippo recognizes that Lynch relies on classic film noir archetypes to develop Camilla's eventual betrayal: these archetypes "become ingrained to such a degree that viewers are immediately cued that “Rita” is not what she seems and that it is only a matter of time before she reveals her duplicitous nature. [58] Ebert subsequently added Mulholland Drive to his "Great Films" list. When they investigate, the figure appears, causing the man who had the nightmare to collapse in fright. [61] Betty's acting ability prompts Ruth Perlmutter to speculate if Betty is acting the role of Diane in either a dream or a parody of a film that ultimately turns against her. "[53] For Love, Diane's exclusively lesbian desire is "between success and failure, between sexiness and abjection, even between life and death" if she is rejected. These characters represent the death of creativity for film scholars,[65][73] and they portray a "vision of the industry as a closed hierarchical system in which the ultimate source of power remains hidden behind a series of representatives". I don't know why you're being subjected to all this pain. Will the passion and experience beat the high amount of male hormones? [54] He stresses that the lesbian understanding of the film has overshadowed potential trans interpretations; his reading of Diane's trans gaze is a contribution to the queer narrative of the film. "[8] The result was an extra eighteen pages of material that included the romantic relationship between Rita and Betty and the events that occurred after the blue box was opened. But it is Betty's identity, or loss of it, that appears to be the focus of the film. Mulholland Drive is a twisting, turning road that tells a story of the history of Hollywood. [36] Immediately they return to Betty's aunt's apartment where Rita dons a blonde wig—ostensibly to disguise herself—but making her look remarkably like Betty. [12], Actress Sherilyn Fenn stated in a 2014 interview that the original idea came during the filming of Twin Peaks, as a spin-off film for her character of Audrey Horne. Ironically, Lynch wrote "I will never do television again" on a piece of plywood. She was offered the part two weeks later. Her purse contained a lot of money and also a blue key that is really unusual. Everything was seen from a different angle ... Now, looking back, I see that [the film] always wanted to be this way. Roche concludes that Mulholland Drive is a mystery film not because it allows the audience to view the solution to a question, but the film itself is a mystery that is held together "by the spectator-detective's desire to make sense" of it. Learn how to create your own. David works from his subconscious. Rita and Betty then gaze at each other in the mirror "drawing attention to their physical similarity, linking the sequence to theme of embrace, physical coupling and the idea of merging or doubling". Though little more clarity would have been fine. It intrigues you. [69], Adam Kesher (Justin Theroux) is established in the first portion of the film as a "vaguely arrogant",[70] but apparently successful, director who endures one humiliation after another. "[11] The story included surreal elements, much like Lynch's earlier series Twin Peaks. Contained within the original DVD release is a card titled "David Lynch's 10 Clues to Unlocking This Thriller". When Camilla Rhodes auditions, Adam capitulates to casting her. Diane's scenes feature choppier editing and dirtier lighting that symbolize her physical and spiritual impoverishment,[41] which contrasts with the first portion of the film where "even the plainest decor seems to sparkle", Betty and Rita glow with light and transitions between scenes are smooth. 4 families get together in order to have some fun and create a 5th one in the process. Mulholland Drive adalah jalan di bagian timur Pegunungan Santa Monica di California Selatan. Obviously, we asked, 'What happens next?' [17], Filming for the television pilot began on location in Los Angeles in February 1999 and took six weeks. Xem thêm : Má»t vài bá» phim hại não nên xem thá» [14], Giving the film only the tagline "A love story in the city of dreams",[8] David Lynch has refused to comment on Mulholland Drive's meaning or symbolism, leading to much discussion and multiple interpretations. You feel the history of Hollywood in that road. [81], Another recurring element in Lynch's films is his experimentation with sound. Betty finds a blue box in her purse that matches Rita's key. Lots of people have seen it, which is embarrassing, because they're bad-quality tapes, too. They find Diane Selwyn in the phone book and call her, but she does not answer. This sinful pleasure is a fresh triumph for Lynch, and one of the best films of a sorry-ass year. [98] In The New York Times, Stephen Holden wrote that the film "ranks alongside Fellini's 8½ and other auteurist fantasias as a monumental self-reflection" and added: "Looked at lightly, it is the grandest and silliest cinematic carnival to come along in quite some time ... on a more serious level, its investigation into the power of movies pierces a void from which you can hear the screams of a ravenous demon whose appetites can never be slaked. According to the site, it is not available at this time, but it has been and will be again. [5], Since its release, Mulholland Drive has received "both some of the harshest epithets and some of the most lavish praise in recent cinematic history". Very pretty scenic drive through the hills. "[8] Watts also had experience with the road before her career was established: "I remember driving along the street many times sobbing my heart out in my car, going, 'What am I doing here? Drive west on Hollywood Boulevard, all the way to the end at Laurel Canyon Boulevard. [90] When the song plays, Betty has just entered the sound stage where Adam is auditioning actresses for his film, and she sees Adam, locks eyes with him and abruptly flees after Adam has declared "This is the girl" about Camilla, thereby avoiding his inevitable rejection. [42] As much as Lynch makes a statement about the deceit, manipulation and false pretenses in Hollywood culture, he also infuses nostalgia throughout the film and recognizes that real art comes from classic filmmaking as Lynch cast thereby paying tribute to veteran actors Ann Miller, Lee Grant and Chad Everett. [35], Film theorist David Roche writes that Lynch films do not simply tell detective stories, but rather force the audience into the role of becoming detectives themselves to make sense of the narratives, and that Mulholland Drive, like other Lynch films, frustrates "the spectator's need for a rational diegesis by playing on the spectator's mistake that narration is synonymous with diegesis". Mulholland Drive on vuonna 2001 ensi-iltansa saanut David Lynchin käsikirjoittama ja ohjaama elokuva, jonka pääosissa näyttelevät Naomi Watts, Laura Harring ja Justin Theroux. Meanwhile, a bungling hitman attempts to steal a book full of phone numbers and leaves three people dead. [33], Philosopher and film theorist Robert Sinnerbrink similarly notes that the images following Diane's apparent suicide undermine the "dream and reality" interpretation. It was originally a script for a pilot for ABC. She is considered to be the reality of the too-good-to-be-true Betty, or a later version of Betty after living too long in Hollywood. The soundtrack of Mulholland Drive was supervised by Angelo Badalamenti, who collaborated on previous Lynch projects Blue Velvet and Twin Peaks. MULHOLLAND DR. je mozaikou viacerých myÅ¡lienok, ktoré by sa dali povedaÅ¥ aj oveľa jednoduchÅ¡ím, ale nie tak zaujímavým a pôsobivým spôsobom. It’s made by Nubiles crew so you can expect very high quality, no dobuts. Although she doesn´t die in the accident, she ends up severely injured and in a profound shock. [34] Referring to the same sequence, film theorist Andrew Hageman notes that "the ninety-second coda that follows Betty/Diane's suicide is a cinematic space that persists after the curtain has dropped on her living consciousness, and this persistent space is the very theatre where the illusion of illusion is continually unmasked". Lynch is playing a big practical joke on us. Distraught, she is terrorized by hallucinations and runs screaming to her bed, where she shoots herself. ⦠[123] It has also been ranked number 38 on the Channel 4 program 50 Films to See Before You Die. There's so many wrong sounds and instantly you know it. . Lynch uses two pop songs from the 1960s directly after one another, playing as two actresses are auditioning by lip synching them. Soundtrack from David Lynch's motion picture "Mulholland Drive" starring Justin Theroux, Naomi Watts, Laura Elena Harring, Ann Miller and Robert Foster. Notice the robe, the ashtray, the coffee cup. There may not even be a mystery." Of course I have amnesia so I don't know if I've done it before, but I don't think we're really lesbians. '"[17] After being stripped of creative control of his film, he is cuckolded by the pool cleaner (played by Billy Ray Cyrus), and thrown out of his own opulent house above Hollywood. "[26] While Harring was quoted saying, "The love scene just happened in my eyes. At Camilla's invitation, Diane attends a party at Adam's house on Mulholland Drive. What is felt, realized and gathered at the Club Silencio? One film analyst, Jennifer Hudson, writes of him, "Like most surrealists, Lynch's language of the unexplained is the fluid language of dreams. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in Los Angeles, who meets and befriends an amnesiac woman (Harring) recovering from a car accident. One film analyst asserts that Betty's previously unknown ability steals the show, specifically, taking the dark mystery away from Rita and assigning it to herself, and by Lynch's use of this scene illustrates his use of deception in his characters. The story follows several other vignettes and characters, including a Hollywood film director (Theroux). [82] Nick Coccellato of Eccentric Cinema gave the film a rating of nine out of ten and the DVD release an eight out of ten, saying that the lack of special features "only adds to the mystery the film itself possesses, in abundance". [52] Immediately after telling Diane that she drives her wild, Camilla tells her they must end their affair. [52] Simultaneously, he presents the tragic lesbian triangle, "in which an attractive but unavailable woman dumps a less attractive woman who is figured as exclusively lesbian", perpetuating the stereotype of the bisexual "ending up with a man". It's a portrayal of the Hollywood golden dream turning rancid, curdling into a poisonous stew of hatred, envy, sleazy compromise and soul-killing failure", with noting that "this is the underbelly of our glamorous fantasies, and the area Lynch shows here is realistically portrayed". MULHOLLAND DRIVE (2001) had me on the hook the first two times that I watched the film. Rita is the damsel in distress and she's in absolute need of Betty, and Betty controls her as if she were a doll. [71] One analysis of Adam's character contends that because he capitulated and chose Camilla Rhodes for his film, that is the end of Betty's cheerfulness and ability to help Rita, placing the blame for her tragedy on the representatives of studio power. Mulholland Drive er en amerikansk spillefilm fra 2001 af den amerikanske filminstruktør David Lynch.Filmen kan karakteriseres som en typisk David Lynch-film i kraft af et uigennemskueligt plot, en urovækkende lydside, unaturlige miljøer og et yderst broget persongalleri.Tilsammen skaber disse virkemidler en stemning, som sidst sås lignende i Lynchs film Lost Highway fra 1997. [84] Badalamenti, who was nominated for awards from the American Film Institute (AFI) and the British Academy of Film and Television Arts (BAFTA) for his work on the film,[85][86] also has a cameo as an espresso aficionado and mobster. 1875 Century Park East, Suite 750, Los Angeles, CA 90067. A dark-haired woman is the sole survivor of a car crash on Mulholland Drive, a winding road high in the Hollywood Hills.
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