They’re excellent value when you buy them bundled with the camera: they’re usually much more expensive to buy on their own. Download The Filmmaker Roadmap So You Can Level Up Your Filmmaking! Using a lens without VR can be a deal breaker if you’re shooting on the go as it can be really hard to steady the video when shooting handheld. Cinema lenses also tend to have a larger amount of pull needed to adjust focus. And it has Dual IS image stabilisation. Here are popular filmmaking resources: The future of filmmaking is not Hollywood. So you will want to become friends with the cameral rental house, rent some lenses and then run a lot of tests. It has a constant aperture so exposure doesn’t change when you zoom in and out. A zoom lens is a long tube and the glass elements can be slid closer or further apart to change the lens size. The 24mm lens is still fairly wide angle but it creates an image that looks more normal to the eye. They were good value then, and they’re an absolute bargain now. Oh, the perils of documentary filmmaking. But which lenses should you buy for shooting video? Note: Moment lenses need their purpose built case to attach to your smartphone. As an Amazon Associate I earn from qualifying purchases. This post was written by a guest filmmaker blogger. How to make movies with your iPhone or iPad, Using pictures, sound, and sequences in your movie, Using the camera, light, position and movement, Film and edit so that your movie makes sense, Tips to make sure you get all the shots you need, Filming ‘rules’ to help viewers understand what’s going on, Essential principles for editing your clips together, Short movie structure, storytelling tips and story ideas, Introduction to equipment for low budget filmmaking, My starter kit for low budget filmmakers, documentary makers and citizen journalists, What you need to shoot good video with mobile devices, Learn filmmaking by editing a short movie. The advantage of a prime lens is that the image generally is sharper and exposure does not require as much light as a zoom lens. Happy filmmaking! They have focus rings, but they’re coupled to electronic motors. Made from high grade polycarbonate/ABS blend, the iOgrapher is extremely tough and durable, and can stand up to any shooting environment. Sharpness is determined, in part, by the quality of the glass and how that glass is ground to create the lens. Thanks for reading! You could also try other focal lengths: the 85mm f/2 would make a fast, compact 190mm equivalent telephoto on MFT. Metabones’ Canon EF adapters even maintain autofocus, though it won’t be as fast as on a Canon body. A variable lens is helpful in run and gun situations. If you’re looking for a much narrower field of view, the 50mm and 85mm lenses are the way to go. HD video is widescreen, with an aspect ratio of 16:9. Add a 37mm lens for wide angle, fisheye or macros shooting. (The focal length is the amount of distance that you can have in focus at one time.) And how does filming 1080p and 4K video affect the crop factor? This is really useful for extending the reach of a telephoto lens. Check out his website or instagram for more. When you look through a lens that is meant for a smaller sensor you will actually see the inside edges of the lens which are black. But I’d recommend getting a fixed focal length (‘prime’) lens … When buying camera lenses, sharpness is also an important consideration. Canon’s 1.8 is a great lens, but you can always go much faster if you’re willing to spend more. This is very useful when filming, as a tiny focus pull can be much more challenging to get right during a shot. You can get the GH5 with the fast, expensive, high quality Leica 12-60 f/2.8-f/4.0 Leica lens, or the longer Lumix 14-140 f/3.5-f/5.6 lens which would be useful for travel. Start a Documentary Today with This Quick Guide to Documentary Film, Best Digital Cameras for Documentary Filmmaking. The Panasonic 35-100 f/2.8 zoom is fast, sharp, and works with Dual IS. This is very important for documentary filmmaking when you are filming as events happen. The Panasonic Lumix 7-14 f/4 is a constant aperture, wide angle zoom. A short focal length is fantastic for when you want the back ground to be much more out of focus than your subject. If I were to shoot in 1920 x 1080 I would only be using a portion of the sensor for the capturing of the image. You can also use optical converters to mount lenses designed for full-frame or APS-C sensors. The same closeup was filmed with wide-angle, ultra wide, ‘standard’, medium telephoto and telephoto lenses. Plus, get FREE clips into the bargain. Filming in different resolutions actually effects how much of the sensor is in use. As such, one of your most important decisions when starting a documentary project is which lens or lenses you plan to use to ensure the best coverage possible. And the 35mm lens is known for the Hollywood close up. It should be wide enough to work with your crop sensor cameras yet still be useful on a full-frame like the Canon 5D. One attribute of a cinema lens is that it has ‘teeth’ around the focus ring and the aperture ring. The 14mm lens creates unbelievably wide images and allows you to get a shots in a small work area. These telephoto camera lenses are great for capturing a fine detail or an extreme close up. His feature films ‘Home Sweet Home’,  ‘Catching Faith’ and ‘Wish For Christmas’ are available in the USA and world wide. There’s just so much to consider, and every documentary is different. ATTENTION: Links and articles shared on this website contain affiliate links and also promote products and services. That means you’d need a 12mm lens on your Panasonic camera to get the same effect as that 24mm lens. • VR (Vibration Reduction) image stabilization is built into some of the best zoom lenses. Just keep in mind that a telephoto lens will also have a much shorter focal length. Different companies make their cameras with specific mounts. If you'd like to write a guest article for Filmmaking Stuff check out our Write for Filmmaking Stuff page for details about how YOU can share your ideas to the filmmaking community. This set of primes is what I use for all my personal projects. Filmaking techniques, ideas, short movies and film history to inspire your filmmaking. With the G7 and G85/G80, the effective focal length increases by 2.4x in 1080p HD; on the GH5, it’s 2.7x. My Sony A7S II has a Sony E-Mount receiver. The GH4 captures 4k ‘pixel for pixel’ (just recording from the 4K-sized area in the middle of the sensor) which increases the crop factor. It covers the range from medium telephoto to ‘serious’ telephoto. If you are, in fact, on a crop sensor camera that necessitates working as wide as possible, Sigma’s 18-35mm is a great option that offers better low light and cinematic looks at 1.8. It is the thousands of independent filmmakers empowered by the digital revolution. Like all aspects of filmmaking, the creative decisions you make both in terms of camera lenses and gear should always serve the story. These lenses are relatively cheap but the craftsmanship and the quality of the image they produce is impressive. While not a necessity, a strong zoom long lens can still be a great addition to any documentary project where up-close-and-personal coverage is not an option. The further you zoom the camera, the more a small shake in the camera is amplified. Panasonic mirrorless cameras like the G7, G85/G80 and GH5 are increasingly popular for filmmaking. Keep sensor size in mind when you buy a lens. All the Panasonic zooms above are ‘fly-by-wire’. This lens is great for one-day or weekend rentals. [CLICK HERE]. Get 5 videos every month and save. Fotodiox make adapters for mounting manual focus lenses to mirrorless cameras. One of the most popular accessories for iPhones and other smartphones is the Moment Lens range. The GH5 has this feature (at 1.4x magnification) when filming 4K. © 2013-2020 Shutterstock Inc. All rights reserved. While you might set up interview dates and times beforehand, you have no way of knowing what the conversation will yield. You can get the GH5 with the fast, expensive, high quality Leica 12-60 f/2.8-f/4.0 Leica lens, or the longer Lumix 14-140 f/3.5-f/5.6 lens which would be useful for travel. The Speedbooster Ultra has a focal length reduction of 0.71, which means you’ll get roughly the same field of view as if you were using the lens on an APS-C body, assuming that you’re shooting HD. The 35mm on different cameras can act close to a medium (or even long) lens, but it should always give you a standard feeling and good coverage of action and events. This means that when I buy camera lenses I need to be sure to buy one that has this type of mount. This site uses cookies to improve your experience. If you want to get the most bang for your buck without spending too much, this is a great beginner's kit. The lens mount is how your lens locks onto your camera. For the best wide-angle documentary filmmaking, Rokinon’s fixed 35mm will give you the most speed and shallowest depth of field for those looking for the crispest image quality. If you are planning to put together a cinema film camera set of lenses for your own productions be ready to spend a TON OF CASH but there is hope for us low budget filmmakers.After doing a ton of research I settled on a Rokinon Set of Primes.. John Graham is an LA based filmmaker. If you would like more information, please read our full Compensation Disclosure. For example, 24mm is a useful wide angle lens on a full-frame camera. Most Panasonic mirrorless cameras have the option of  Extra Tele Conversion. The G7 normally comes with a 14-42 (f/3.5-f/5.6) lens, but the G85/G80 kit lens covers a wider 12-60 range (it’s also f/3.5-f/5.6). However, for the occasional use, you can get great footage from this lens. So your 12mm lens is now about a 26mm equivalent. Know what sensor size you have and then buy camera lenses designed for that sensor. This has a higher reduction to allow for the 4K image crop on the GH4 body. Types of Lenses: My Choice of Camera Lenses for Low Budget Filmmakers. Never overpay for content again! If you enjoyed reading this article, make sure you grab a copy of The Filmmaker Roadmap. Filmmaking Stuff | Copyright 2020 Brubaker Unlimited LLC. Let’s explore five EF documentary lens options to consider before your next shoot. Thus, the quality of the tripod is extremely important. The zoom up to 200mm is huge, and it comes with surprising clarity and speed, which can make long shots look stylized and controlled. 1: A “regular lens”: This is a 50mm still camera lens 2: A moderate wide angle lens: 24-35mm still camera lens 3: A moderate zoom lens: 80-200mm still camera lens. I rarely use a long telephoto lens, but the advantage of the MFT system is that even long lenses are relatively compact. And since I mostly use my equipment for making films so it was important to me to find cinema style camera lenses. To start the process, you’ll need to know the camera sensor size and the specific lens mount for your camera body. Here we are going to go through them, one by one, to have a look at what they promise and the results achieved. This means we receive compensation. It’s a medium telephoto on MFT, great for closeups of people. Further, trying to capture organic footage, as the action happens, can be perilously difficult if you’re not flexible and prepared with adaptable gear. The 35mm on different cameras can act close to a medium (or even long) lens, but it should always give you a standard feeling and good coverage of action and events. This lets you compare lenses on different sensors. Since coverage is one of the important factors in your decision, a flexible, wide-to-medium-angle z0om lens like Canon’s 17-55mm is a great place to start. This is fine if you’re happy with autofocus, setting focus using the touchscreen, or using the pre-programmed pull focus in some models. Panasonic’s smaller MFT sensor is usually quoted as having a crop factor of 2 when you’re shooting stills. Zoom lenses are convenient. A full frame lens allows the image to cover the entire surface area of the sensor. It’s small, light and sharp. A true macro lens (compared to the 50mm), Rokinon’s 85mm packs a close-up punch that lends a tight, cinematic quality to your image that you won’t find with a wide. This is why for documentary or run and gun filmmaking, a good zoom lens will be preferred to a fast prime. The aspect ratio (shape) of the full Panasonic sensor is 4:3. Jourdan is a writer and video journalist based in Dallas, Texas. Unfortunately for would-be remote filmmakers, the best tripods for long-lens filmmaking are also extremely heavy. That’s still a useful wide angle, but not quite as wide. The sensor is the part of your camera that translates the image you see into the 1’s and 0’s of digital video. It’s useful for documentary situations where you’re working in confined spaces, and like most ultra wide lenses it’s easy to handhold. Sometimes you can order your camera body with the mount you want but if not, don’t fret! This page includes affiliate links. Key tips for making your first short film or video, Planning, filming, editing and sharing: the key stages of the filmmaking process. If you don’t need constant aperture, the much cheaper 45-150 f/4-f/5.6 is very good value, and also has Dual IS. If you’re shooting exclusively 4K footage on a GH4, you could use the Speedbooster XL instead. A non full frame lens only allows the image to cover a portion of a full frame sensor. Zoom lenses are convenient. I made a mistake of buying a really nice Zeiss zoom lens for my camera and was dismayed to discover that when shooting in 4K there was a heavy vignette around the image. Please see more information about their bio in the post above. These zoom lenses cover the range from wide angle to medium telephoto, and have Dual IS for easier handholding. When it comes to buying camera lenses, some are better for photography and some are better for cinema. Choosing a particular lens an aesthetic decision, based on your needs as a filmmaker.

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